Walt Disney Company s Management Practices - 1742 Words

The Walt Disney Company’s Management Practices When most people think of Disney they picture all the rides and the famous character Mickey Mouse. The thought of being anything but an amusement park probably never even crosses the minds of most people. The Walt Disney Company is an extremely successful and lucrative business though and not just because of their fun amusement parks. Sure at the beginning of the business in 1923, it was all about the park and cartoon studio, but now almost one hundred years later Disney owns and manages much more than that. In addition to its parks and resorts, many people do not know that Disney owns four major filming companies, including Marvel and LucasFilm (the Star Wars franchise), numerous retail stores, quite a few music and productions companies, Hulu, and television networks such as ESPN, ABC, ABC Family, Lifetime, AE, and even the History Channel! (Johnson, 2016) The Walt Disney Company’s seemingly never ending list of assets comes to an outstanding monetary value of $90.2 billion. And according to Forbes.com, Disney brings in a profit of about $9.08 billion every single year! (Forbes, 2016). Based on those numbers alone and not even taking into consideration their numerous awards for performance and achievement, the Disney Company is clearing doing something right since they are so successful. The something right they are doing comes from their business model and management principles that they have set in place for the almostShow MoreRelatedThe Walt Disney Company Analysis873 Words   |  4 Pages â€Å"The Walt Disney Company is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, consumer products and interactive media.† (The walt disney, n.d.) 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Congress Most Influential Policy Blunder - 1822 Words

Aside from the decision to assign the project to the DOE in the first place, Congress’ most influential policy blunder was picking the Yucca Mountain site and leaving no back ups or alternatives through the NWPAA. It was done before the DOE had even finished evaluating all of its potential sites as Congress had tasked it through the original NWPA. This decision by Congress is what ultimately led to reports of falsified scientific documents as the DOE was essentially forced by the NWPAA to make due with any issues they found at Yucca or face losing the entire federal nuclear repository project. Had the DOE been both capable of and allowed to finish its own siting of the repository it would have likely kept the decision open until scientific†¦show more content†¦In reality what the EPA had done was set a site-specific performance standard, based on what qualifications they knew would be compatible with Yucca instead of setting a general performance standard based on saf ety and science (Ewing Hippel, 2009). This superficial performance standard was in part responsible for the shut down of Yucca Mountain as its authenticity and scientific accuracy came into question along with the report of falsified documents. The decision in the NWPAA to pick Yucca Mountain without any real selection process created one of the biggest altercations between groups and organizations interested in this policy. By picking a site in Nevada, a state with no nuclear reactors and a strong majority opinion against the construction of a repository, Congress pitted the entire state against the federal government and other states. Nevada residents are so opposed to the completion of the facility, polled at 76% in 2007 (Las Vegas Review-Journal), that it has become a requirement of anyone hoping to hold federal office in the state to feel the same sentiment. Because of this governors, senators, and representatives from Nevada all view the permanent closing of Yucca as a priori ty and adamantly oppose motions that would see the facility operational. Congressmen from Nevada try

Mrs. Dalloway Study Questions Free Essays

Discussion questions: 1. In the novel â€Å"Mrs. Dalloway† both Clarissa and Septimus repeat a line from Shakespeare, what is the line and what is its importance to the characters? 2. We will write a custom essay sample on Mrs. Dalloway Study Questions or any similar topic only for you Order Now In â€Å"Mrs. Dalloway† Septimus is created as Clarissa’s double, why do you think Woolf did this? 3. How are Clarissa and Septimus alike and how are they different? 4. Woolf uses Clarissa to convey her idea of social class and women’s wole within it; how does she achieve this? 5. WWI is a major part throughout the story. What ways did Woolf show this? . At the end of the novel Clarissa is informed of Septimus’ death. How does she feel about this and why is it important? 7. Who are Sally Seton and Peter Walsh and how does their appearance in the novel help with the plot? 8. Woolf uses a lot of flash backs to move the plot along. Do these flash backs help or hurt the novel? 9. From Woolf’s use of flash backs can you infer what the characters were like before? 10. What was the point of view in the novel? Why do you think Woolf chose this? Excerpt: (pg. 11-14) She would not say of any one in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fraulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that. Her only gift was knowing people almost by instinct, she thought, walking on. If you put her in a room with someone, up went her back like a cat’s; or she purred. Devonshire House, Bath House, the house with the china cockatoo, she had seen them all lit up once; and remembered Sylvia, Fred, Sally Seton — such hosts of people; and dancing all night; and the waggons plodding past o market; and driving home across the Park. She remembered once throwing a shilling into the Serpentine. But every one remembered; what she loved was this, here, now, in front of her; the fat lady in the cab. Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? ut that somehow in the streets of London, on the ebb and flow of things, here, there, she survived, Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly, rambling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself. But what was she dreaming as she looked into Hatchards’ shop window? What was she trying to recover? What image of white dawn in the country, as she read in the book spread open: Fear no more the heat o’ the sun Nor the furious winter’s rages. This late age of the world’s experience had bred in them all, all men and women, a well of tears. Tears and sorrows; courage and endurance; a perfectly upright and stoical bearing. Think, for example, of the woman she admired most, Lady Bexborough, opening the bazaar. There were Jorrocks’ Jaunts and Jollities; there were Soapy Sponge and Mrs. Asquith’s Memoirs and Big Game Shooting in Nigeria, all spread open. Ever so many books there were; but none that seemed exactly right to take to Evelyn Whitbread in her nursing home. Nothing that would serve to amuse her and make that indescribably dried-up little woman look, as Clarissa came in, just for a moment cordial; before they settled down for the usual interminable talk of women’s ailments. How much she wanted it — that people should look pleased as she came in, Clarissa thought and turned and walked back towards Bond Street, annoyed, because it was silly to have other reasons for doing things. Much rather would she have been one of those eople like Richard who did things for themselves, whereas, she thought, waiting to cross, half the time she did things not simply, not for themselves; but to make people think this or that; perfect idiocy she knew (and now the policeman held up his hand) for no one was ever for a second taken in. Oh if she could have had her life over again! She thought, stepping on to the pavement, could have looked even differently! She would have been, in the first place, dark like Lady Bexborough, with a skin of crumpled leather and beautiful eyes. She would have been, like Lady Bexborough, slow and stately; rather large; interested in politics like a man; with a country house; very dignified, very sincere. Instead of which she had a narrow pea-stick figure; a ridiculous little face, beaked like a bird’s. That she held herself well was true; and had nice hands and feet; and dressed well, considering that she spent little. But often now this body she wore (she stopped to look at a Dutch picture), this body, with all its capacities, seemed nothing — nothing at all. She had the oddest sense of being herself invisible, unseen; unknown; there being no more marrying, no more having of children now, but only this astonishing and rather solemn progress with the rest of them, up Bond Street, this being Mrs. Dalloway; not even Clarissa anymore; this being Mrs. Richard Dalloway. Multiple choice questions for excerpt: 1. What is the attitude throughout the passage? a. Negative toward her future. b. Hopeful for her future. c. Positive toward her past. d. Resentful of the choices of her past. 2. Which of the following best describes the purpose of the passage? . To show Clarissa’s hopefulness for the future. b. To show Clarissa’s longing for acceptance and importance in high class society. c. To show how Clarissa wants to help the elderly. d. To show Clarissa’s admiration for Mrs. Bexborough. 3. Clarissa talks about Mrs. Bexborough to show: a. How she wants to be portrayed in society. b. How much she dislikes her. c. How they are alike . d. How they are different. 4. It can be inferred from the passage that which of the following qualities is most important to the speaker: a. Independence. b. Being man- like. . Dressing well. d. Respect. 5. In the passage what does Woolf mean by â€Å"did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? † a. That life goes on after death. b. That she finds comfort in the fact that death stops all human problems, but resents the fact use lose the pleasures also. c. That she is scared of death. d. That none of the things she has done matter after death. Essay prompt for novel: Woolf’s writing style in Mrs. Dalloway is described as â€Å"stream of consciousness,† why do you think Woolf chose this writing style for the novel and would it be less effective if it were written in a different style? The Yellow Wallpaper by: Charlotte Perkins Gilman It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity–but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and perhaps–(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)–perhaps that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do? If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression–a slight hysterical tendency– what is one to do? My brother is also a physician, and also of high standing, and he says the same thing. So I take phosphates or phosphites–whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to â€Å"work† until I am well again. Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do? I did write for a while in spite of them; but it does exhaust me a good deal–having to be so sly about it, or else meet with heavy opposition. I sometimes fancy that in my condition if I had less opposition and more society and stimulus–but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad. So I will let it alone and talk about the house. The most beautiful place! It is quite alone standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people. There is a delicious garden! I never saw such a garden–large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them. There were greenhouses, too, but they are all broken now. There was some legal trouble, I believe, something about the heirs and coheirs; anyhow, the place has been empty for years. That spoils my ghostliness, I am afraid, but I don’t care–there is something strange about the house–I can feel it. I even said so to John one moonlight evening but he said what I felt was a draught, and shut the window. I get unreasonably angry with John sometimes I’m sure I never used to be so sensitive. I think it is due to this nervous condition. But John says if I feel so, I shall neglect proper self-control; so I take pains to control myself– before him, at least, and that makes me very tired. I don’t like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! but John would not hear of it. He said there was only one window and not room for two beds, and no near room for him if he took another. He is very careful and loving, and hardly lets me stir without special direction. I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more. He said we came here solely on my account, that I was to have perfect rest and all the air I could get. â€Å"Your exercise depends on your strength, my dear,† said he, â€Å"and your food somewhat on your appetite; but air you can absorb all the time. So we took the nursery at the top of the house. It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys’ school had used it. It is stripped offâ€⠀œthe paper in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide–plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long. There comes John, and I must put this away,–he hates to have me write a word. ———- We have been here two weeks, and I haven’t felt like writing before, since that first day. I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please, save lack of strength. John is away all day, and even some nights when his cases are serious. I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him. Of course it is only nervousness. It does weigh on me so not to do my duty in any way! I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already! Nobody would believe what an effort it is to do what little I am able,–to dress and entertain, and order things. It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous. I suppose John never was nervous in his life. He laughs at me so about this wall-paper! At first he meant to repaper the room, but afterwards he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies. He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on. â€Å"You know the place is doing you good,† he said, â€Å"and really, dear, I don’t care to renovate the house just for a three months’ rental. â€Å"Then do let us go downstairs,† I said, â€Å"there are such pretty rooms there. † Then he took me in his arms and called me a blessed little goose, and said he would go down to the cellar, if I wished, and have it whitewashed into the bargain. But he is right enough about the beds and windows and things. It is an airy and comfortable room as any one need wish, and, o f course, I would not be so silly as to make him uncomfortable just for a whim. I’m really getting quite fond of the big room, all but that horrid paper. Out of one window I can see the garden, those mysterious deepshaded arbors, the riotous old-fashioned flowers, and bushes and gnarly trees. Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, nd that I ought to use my will and good sense to check the tendency. So I try. I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me. But I find I get pretty tired when I try. It is so discouraging not to have any advice and companionship about my work. When I get really well, John says we will ask Cousin Henry and Julia down for a long visit; but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now. I wish I could get well faster. But I must not think about that. This paper looks to me as if it knew what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down. I get positively angry with the impertinence of it and the everlastingness. Up and down and sideways they crawl, and those absurd, unblinking eyes are everywhere There is one place where two breaths didn’t match, and the eyes go all up and down the line, one a little higher than the other. I never saw so much expression in an inanimate thing before, and we all know how much expression they have! I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store. I remember what a kindly wink the knobs of our big, old bureau used to have, and there was one chair that always seemed like a strong friend. I used to feel that if any of the other things looked too fierce I could always hop into that chair and be safe. The furniture in this room is no worse than inharmonious, however, for we had to bring it all from downstairs. I suppose when this was used as a playroom they had to take the nursery things out, and no wonder! I never saw such ravages as the children have made here. The wall-paper, as I said before, is torn off in spots, and it sticketh closer than a brother–they must have had perseverance as well as hatred. Then the floor is scratched and gouged and splintered, the plaster itself is dug out here and there, and this great heavy bed which is all we found in the room, looks as if it had been through the wars. But I don’t mind it a bit–only the paper. There comes John’s sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing. She is a perfect and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick! But I can write when she is out, and see her a long way off from these windows. There is one that commands the road, a lovely shaded winding road, and one that just looks off over the country. A lovely country, too, full of great elms and velvet meadows. This wall-paper has a kind of sub-pattern in a, different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then. But in the places where it isn’t faded and where the sun is just so–I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design. There’s sister on the stairs! ———- Well, the Fourth of July is over! The people are all gone and I am tired out. John thought it might do me good to see a little company, so we just had mother and Nellie and the children down for a week. Of course I didn’t do a thing. Jennie sees to everything now. But it tired me all the same. John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall. But I don’t want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother, only more so! Besides, it is such an undertaking to go so far. I don’t feel as if it was worth while to turn my hand over for anything, and I’m getting dreadfully fretful and querulous. I cry at nothing, and cry most of the time. Of course I don’t when John is here, or anybody else, but when I am alone. And I am alone a good deal just now. John is kept in town very often by serious cases, and Jennie is good and lets me alone when I want her to. So I walk a little in the garden or down that lovely lane, sit on the porch under the roses, and lie down up here a good deal. I’m getting really fond of the room in spite of the wall-paper. Perhaps because of the wall-paper. It dwells in my mind so! I lie here on this great immovable bed–it is nailed down, I believe–and follow that pattern about by the hour. It is as good as gymnastics, I assure you. I start, we’ll say, at the bottom, down in the corner over there where it has not been touched, and I determine for the thousandth time that I will follow that pointless pattern to some sort of a conclusion. I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I ever heard of. It is repeated, of course, by the breadths, but not otherwise. Looked at in one way each breadth stands alone, the bloated curves and flourishes–a kind of â€Å"debased Romanesque† with delirium tremens–go waddling up and down in isolated columns of fatuity. But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase. The whole thing goes horizontally, too, at least it seems so, and I exhaust myself in trying to distinguish the order of its going in that direction. They have used a horizontal breadth for a frieze, and that adds wonderfully to the confusion. There is one end of the room where it is almost intact, and there, when the crosslights fade and the low sun shines directly upon it, I can almost fancy radiation after all,–the interminable grotesques seem to form around a common centre and rush off in headlong plunges of equal distraction. It makes me tired to follow it. I will take a nap I guess. ———- I don’t know why I should write this. I don’t want to. I don’t feel able. And I know John would think it absurd. But I must say what I feel and think in some way–it is such a relief! But the effort is getting to be greater than the relief. Half the time now I am awfully lazy, and lie down ever so much. John says I mustn’t lose my strength, and has me take cod liver oil and lots of tonics and things, to say nothing of ale and wine and rare meat. Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest reasonable talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn’t able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished . It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose. And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head. He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well. He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me. There’s one comfort, the baby is well and happy, and does not have to occupy this nursery with the horrid wall-paper. If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn’t have a child of mine, an impressionable little thing, live in such a room for worlds. I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see. Of course I never mention it to them any more–I am too wise,–but I keep watch of it all the same. There are things in that paper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder–I begin to think–I wish John would take me away from here! ———- It is so hard to talk with John about my case, because he is so wise, and because he loves me so. But I tried it last night. It was moonlight. The moon shines in all around just as the sun does. I hate to see it sometimes, it creeps so slowly, and always comes in by one window or another. John was asleep and I hated to waken him, so I kept still and watched the moonlight on that undulating wall-paper till I felt creepy. The faint figure behind seemed to shake the pattern, just as if she wanted to get out. I got up softly and went to feel and see if the paper did move, and when I came back John was awake. â€Å"What is it, little girl? he said. â€Å"Don’t go walking about like that–you’ll get cold. † I thought it was a good time to talk, so I told him that I really was not gaining here, and that I wished he would take me away. â€Å"Why darling! † said he, â€Å"our lease will be up in three weeks, and I can’t see how to leave before. †Å"The repairs are not done at home, and I cannot possibly leave town just now. Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better, I feel really much easier about you. â€Å"I don’t weigh a bit more,† said 1, â€Å"nor as much; and my appetite may be better in the evening when you are here, but it is worse in the morning when you are away! † â€Å"Bless her little heart! † said he with a big hug, â€Å"she shall be as sick as she pleases! But now let’s improve the shining hours by going to sleep, and talk about it in the morning! † â€Å"And you won’t go away? † I asked gloomily. â€Å"Why, how can 1, dear? It is only three weeks more and then we will take a nice little trip of a few days while Jennie is getting the house ready. Really dear you are better! â€Å"Better in body perhaps–† I began, and stopped short, for he sat up straight and looked at me with such a stern, reproachful look that I could not say another word. â€Å"My darling,† said he, â€Å"I beg of you, for my sake and for our child’s sake, as well as for your own, that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so? † So of course I said no more on that score, and we went to sleep before long. He thought I was asleep first, but I wasn’t, and lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately. ———- On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind. The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing. You think you have mastered it, but just as you get well underway in following, it turns a back somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream. The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions–why, that is something like it. That is, sometimes! There is one marked peculiarity about this paper, a thing nobody seems to notice but myself, and that is that it changes as the light changes. When the sun shoots in through the east window–I always watch for that first long, straight ray–it changes so quickly that I never can quite believe it. That is why I watch it always. By moonlight–the moon shines in all night when there is a moon–I wouldn’t know it was the same paper. At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be. I didn’t realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman. By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour. I lie down ever so much now. John says it is good for me, and to sleep all I can. Indeed he started the habit by making me lie down for an hour after each meal. It is a very bad habit I am convinced, for you see I don’t sleep. And that cultivates deceit, for I don’t tell them I’m awake–O no! The fact is I am getting a little afraid of John. He seems very queer sometimes, and even Jennie has an inexplicable look. It strikes me occasionally, just as a scientific hypothesis,–that perhaps it is the paper! I have watched John when he did not know I was looking, and come into the room suddenly on the most innocent excuses, and I’ve caught him several times looking at the paper! And Jennie too. I caught Jennie with her hand on it once. She didn’t know I was in the room, and when I asked her in a quiet, a very quiet voice, with the most restrained manner possible, what she was doing with the paper–she turned around as if she had been caught stealing, and looked quite angry– asked me why I should frighten her so! Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John’s, and she wished we would be more careful! Did not that sound innocent? But I know she was studying that pattern, and I am determined that nobody shall find it out but myself! ———- Life is very much more exciting now than it used to be. You see I have something more to expect, to look forward to, to watch. I really do eat better, and am more quiet than I was. John is so pleased to see me improve ! He laughed a little the other day, and said I seemed to be flourishing in spite of my wall-paper. I turned it off with a laugh. I had no intention of telling him it was because of the wall-paper–he would make fun of me. He might even want to take me away. I don’t want to leave now until I have found it out. There is a week more, and I think that will be enough. ———- I’m feeling ever so much better! I don’t sleep much at night, for it is so interesting to watch developments; but I sleep a good deal in the daytime. In the daytime it is tiresome and perplexing. There are always new shoots on the fungus, and new shades of yellow all over it. I cannot keep count of them, though I have tried conscientiously. It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw–not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper– the smell! I noticed it the moment we came into the room, but with so much air and sun it was not bad. Now we have had a week of fog and rain, and whether the windows are open or not, the smell is here. It creeps all over the house. I find it hovering in the dining-room, skulking in the parlor, hiding in the hall, lying in wait for me on the stairs. It gets into my hair. Even when I go to ride, if I turn my head suddenly and surprise it–there is that smell! Such a peculiar odor, too! I have spent hours in trying to analyze it, to find what it smelled like. It is not bad–at first, and very gentle, but quite the subtlest, most enduring odor I ever met. In this damp weather it is awful, I wake up in the night and find it hanging over me. It used to disturb me at first. I thought seriously of burning the house–to reach the smell. But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell. There is a very funny mark on this wall, low down, near the mopboard. A streak that runs round the room. It goes behind every piece of furniture, except the bed, a long, straight, even smooch, as if it had been rubbed over and over. I wonder how it was done and who did it, and what they did it for. Round and round and round–round and round and round–it makes me dizzy! ———- I really have discovered something at last. Through watching so much at night, when it changes so, I have finally found out. The front pattern does move–and no wonder! The woman behind shakes it! Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over. Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard. And she is all the time trying to climb through. But nobody could climb through that pattern–it strangles so; I think that is why it has so many heads. They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white! If those heads were covered or taken off it would not be half so bad. ———- I think that woman gets out in the daytime! And I’ll tell you why–privately–I’ve seen her! I can see her out of every one of my windows! It is the same woman, I know, for she is always creeping, and most women do not creep by daylight. I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines. I don’t blame her a bit. It must be very humiliating to be caught creeping by daylight! I always lock the door when I creep by daylight. I can’t do it at night, for I know John would suspect something at once. And John is so queer now, that I don’t want to irritate him. I wish he would take another room! Besides, I don’t want anybody to get that woman out at night but myself. I often wonder if I could see her out of all the windows at once. But, turn as fast as I can, I can only see out of one at one time. And though I always see her, she may be able to creep faster than I can turn! I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind. ———- If only that top pattern could be gotten off from the under one! I mean to try it, little by little. I have found out another funny thing, but I shan’t tell it this time! It does not do to trust people too much. There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes. And I heard him ask Jennie a lot of professional questions about me. She had a very good report to give. She said I slept a good deal in the daytime. John knows I don’t sleep very well at night, for all I’m so quiet! He asked me all sorts of questions, too, and pretended to be very loving and kind. As if I couldn’t see through him! Still, I don’t wonder he acts so, sleeping under this paper for three months. It only interests me, but I feel sure John and Jennie are secretly affected by it. ———- Hurrah! This is the last day, but it is enough. John to stay in town over night, and won’t be out until this evening. Jennie wanted to sleep with me–the sly thing! but I told her I should undoubtedly rest better for a night all alone. That was clever, for really I wasn’t alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper. A strip about as high as my head and half around the room. And then when the sun came and that awful pattern began to laugh at me, I declared I would finish it to-day! We go away to-morrow, and they are moving all my furniture down again to leave things as they were before. Jennie looked at the wall in amazement, but I told her merrily that I did it out of pure spite at the vicious thing. She laughed and said she wouldn’t mind doing it herself, but I must not get tired. How she betrayed herself that time! But I am here, and no person touches this paper but me,–not alive ! She tried to get me out of the room–it was too patent! But I said it was so quiet and empty and clean now that I believed I would lie down again and sleep all I could; and not to wake me even for dinner–I would call when I woke. So now she is gone, and the servants are gone, and the things are gone, and there is nothing left but that great bedstead nailed down, with the canvas mattress we found on it. We shall sleep downstairs to-night, and take the boat home to-morrow. I quite enjoy the room, now it is bare again. How those children did tear about here! This bedstead is fairly gnawed! But I must get to work. I have locked the door and thrown the key down into the front path. I don’t want to go out, and I don’t want to have anybody come in, till John comes. I want to astonish him. I’ve got a rope up here that even Jennie did not find. If that woman does get out, and tries to get away, I can tie her! But I forgot I could not reach far without anything to stand on! This bed will not move! I tried to lift and push it until I was lame, and then I got so angry I bit off a little piece at one corner–but it hurt my teeth. Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled heads and bulbous eyes and waddling fungus growths just shriek with derision! I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise, but the bars are too strong even to try. Besides I wouldn’t do it. Of course not. I know well enough that a step like that is improper and might be misconstrued. I don’t like to look out of the windows even– there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did? But I am securely fastened now by my well-hidden rope–you don’t get me out in the road there ! I suppose I shall have to get back behind the pattern when it comes night, and that is hard! It is so pleasant to be out in this great room and creep around as I please! I don’t want to go outside. I won’t, even if Jennie asks me to. For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way. Why there’s John at the door! It is no use, young man, you can’t open it! How he does call and pound! Now he’s crying for an axe. It would be a shame to break down that beautiful door! â€Å"John dear! † said I in the gentlest voice, â€Å"the key is down by the front steps, under a plantain leaf! † That silenced him for a few moments. Then he said–very quietly indeed, â€Å"Open the door, my darling! â€Å"I can’t,† said I. â€Å"The key is down by the front door under a plantain leaf! † And then I said it again, several times, very gently and slowly, and said it so often that he had to go and see, and he got it of course, and came in. He stopped short by the door. â€Å"What is the matter? † he c ried. â€Å"For God’s sake, what are you doing! † I kept on creeping just the same, but I looked at him over my shoulder. â€Å"I’ve got out at last,† said I, â€Å"in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back! † Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time! The story of an hour by: Kate Chopin Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death. It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband’s friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of â€Å"killed. He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message. She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister†™s arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her. There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul. She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window. She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams. She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought. There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air. Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will–as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under hte breath: â€Å"free, free, free! † The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body. She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome. There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination. And yet she had loved him–sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! Free! Body and soul free! † she kept whispering. Josephine was kneeling before the closed door with her lips to the keyhold, imploring for admission. â€Å"Louise, open the door! I beg; open the door–you will make yourself ill. What are you doing, Louise? For heaven’s sake open the door. † â€Å"Go away. I am not making myself ill. † No; she was drinking in a very elixir of life through that open window. Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long. She arose at length and opened the door to her sister’s importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister’s waist, and together they descended the stairs. Richards stood waiting for them at the bottom. Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine’s piercing cry; at Richards’ quick motion to screen him from the view of his wife. When the doctors came they said she had died of heart disease–of the joy that kills. Essay prompt for short story: In the short story â€Å"the story of an hour† Chopin uses the word ‘open’ repeatedly, why do you think this and what is the significance of it? Lady Lazarus by Sylvia Plath I have done it again. One year in every ten I manage it– A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify? — The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot– The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I’ve a call. It’s easy enough to do it in a cell. It’s easy enough to do it and stay put. It’s the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: ‘A miracle! ‘ That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart– It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash– You poke and stir. Flesh, bone, there is nothing there– A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. Daddy by: Sylvia Plath You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time– Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gipsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You– Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two– The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through. Lets hear it for the women The women oppressed by: Francis Duggan Lets hear it for women the women oppressed In patriarchal societies their human rights are transgressed By male religious zealots who hate woman kind For to trample on women’s rights any excuse they will find. Lets hear it for the women who never receive a fair go Of equality in their lives they never may know They are seen as inferior where males reign supreme And this can do little for their self esteem. Lets hear it for the women who must play second fiddle to men Where to be born a female means one cannot win Promotion in work or promotion in life To an arrogant and an unfaithful man expected to be a good wife. Lets hear it for women the women men do rule And many males in positions of power can be cruel The mothers of the children in life the hardest role Equality they need and not male control. P. O. W (Poor Oprressed Women) by: Sama Wareh Hello oppressed, With that scarf around your head, That you surely must dread, Aren’t you hot? Can’t you see it’s sunny, Aren’t your ears cold, They try to be funny, But some seriously suggest, That I am oppressed, Because I can’t flaunt what I got, And they look at the way that I’m dressed, All covered up, From head to toe, How am I to attract the men, Without a little show? So I tell them, I’m oppressed, Because men can’t see past the fabric? They are stuck with a conversation And a brain to pick, I flaunt, Yes I do, My personality is what I flaunt, I swear, it’s true, I aint no object In men’s desire, Nor am I a curve size, Because I have attire, And they tell me, Well, you were forced, Obviously, Your dad had a belt, And so you agreed, No, it was my choice, I did agree, In fact, After I did cover up, Men stopped checking out my behind, And started looking at who I am on the inside, And after I did, Respect came my way, Heads didn’t turn lolling as I passed men’s way, But I guess some like that attention, And women, This isn’t a stab at you, I’m just expressing my point of view, After dealing with stereotypes of what people tell me I am, I can even see it in their eyes, Like my attire should be banned, And especially older women, Look at me with pity, Poor child, I wish I could help her and show her the way, Cause according to Fox tv, they’ve gone astray, Poor abused women, dressed in black, Can’t those mean men cut them a little slack? But to their surprise, I choose to wear it, To me its freedom, Freedom from fashion implications, Telling you how to talk, dress and look, Advertising the new trend, To get you on the hook, Of being what the fashion industry can make money off of, I wear what I want and dress to impress, Myself and God, And nobody else, I wear pants and I wear skirts, I wear socks and long shirts, And if my name callers aren’t happen with that, Then come and liberate me, Which in now a day’s terms, Means kill me. Discussion questions for the poems: 1. In the poems â€Å"Lets Hear It For Women The Women Oppressed† and â€Å"P. O. W (Poor Oppressed Woman),† there are two different views on women’s oppression. What are these views? 2. In the poem â€Å"P. O. W (Poor Oppressed Women)†, what image does Wareh portray throughout? What words make you think this? 3. In the poem â€Å"Lady Lazarus,† Plath refers to herself as a cat with nine times to die, why do you think she chose these words and what is the importance of them? 4. After reading â€Å"lets hear it for the women the women oppressed,† what do you think Duggan’s view on women’s oppression is and how does she convey this in her poem? 5. After reading â€Å"P. O. W (Poor Oppressed Women),† how do you think Wareh views oppression and how does she show this in her poem? 6. In â€Å"Lady Lazarus,† what images does Plath use and how are they effective? . In the poem â€Å"Daddy† by Sylvia Plath, Plath uses the word ‘daddy’ instead of ‘father’, do you think this changes the way the reader views the poem? How? 8. In the poem â€Å"Daddy,† could ‘daddy’ be something besides her father? How? 9. In the poem â€Å"Lady Lazarus,† Plath chooses the word ‘Miracle’, in what tone do you think she used this? 10. In â€Å"Lets hear it for the women the women oppressed,† how do you think Duggan’s word chose sets the mood for the poem? Thomas 1 Kelley Thomas Ms. Flara AP English IV October 22, 2012 The theme of Women’s oppression and how it is viewed by Clarissa I read the novel â€Å"Mrs. Dalloway† by: Virginia Woolf. There are many themes throughout this novel but while reading it one was most apparent and that is the theme of Women’s oppression and how it is viewed by the Clarissa. Woolf uses the novel to show how she feels about society and oppression, especially toward women. The social setting and time period set the mood for this theme. London is returning to its social normalcies and women are moving back toward being housewives instead of working in munitions factories. She often shows her dislike of this through Clarissa. It has become a sort of way of life for her and she doesn’t truly notice she is even a part of it. How to cite Mrs. Dalloway Study Questions, Essay examples

Merits and Demerits of Democracy free essay sample

Democracy is considered to be the best form of government these days. Most of the countries in the world have adopted it. The following arguments have been given in favour of Democracy: (i) Safeguards the interests of the people: Chief merit of democracy lies in that it safeguards the interests of the people. Real power lies in the hands of the people who exercise it by the representatives elected by them and who are responsible to them. It is said that social, economic and political interests of the individuals are served better under this system. ii) Based on the principle of equality: Democracy is based on the principle of equality. All members of the State are equal in the eyes of law. All enjoy equal social, political and economic rights and state cannot discriminate among citizens on the basis of caste, religion, sex, or property. All have equal right to choose their government. (iii) Stability and responsibility in administration: Democracy is known for its stability, firmness and efficiency. These days tenure of the elected representatives is fixed. They form a stable government because it is based on public support. The administration is conducted with a sense of responsibility. In representative democracy, peoples representatives discuss matters more thoroughly and take reasonable decision. Under monarchy the Monarch takes decisions as he pleases. Under dictatorship, the dictators do not involve people at all in decision making, people have no right to criticise the decisions of the dictator even when they are bad and against peoples welfare. (iv) Political education to the people: Another argument given in favour of democracy is that it serves as a training school for citizens. People get impetus to take part in the affairs of the state. At the time of elections political parties propose their policy and programme in support of their candidates. All means of propaganda-public meetings, posters, radio, television and speeches by important leaders of the parties- are used to win public favour. It creates political consciousness among the people. (v) Little chance of revolution: Since democracy is based on public will, there is no chance of public revolt. Representatives elected by the people conduct the affairs of the state with public support. If they dont work efficiently or dont come up to the expectations of their masters i. e. , the public, they are thrown in the dustbin of history when elections are held again. Gilchrist opines that democracy or popular governments always function with consensus and therefore question of revolt or revolution does not arise. (vi) Stable government: Democracy is based on public will. It conducts state business with public support. It is, therefore, more stable than other forms of Government. (vii) Helps in making people good citizens: Success of democracy lies on its good citizens. Democracy creates proper environment for the development of personality and cultivating good habits. D. Tacquville is of opinion that Democracy is the first school of good citizenship. Citizens learn their rights and duties from birth till death in it. (viii) Based on public opinion: Democratic administration is based on public will, public opinion lends it strength. It is not based on fear of authority. Gettel is of opinion that democracy stands on consensus, not on power; it admits the existence of state for individual, not individual for the state. It lends development and progress to individual and arouses his interest in social activities. Individuals readily take active part in such a government. And this is because of the eminence, devotion and conviction in man found in the nature of democracy itself. Demerits of Democracy Following arguments have been given against Democracy: (i) More emphasis on quantity than on quality: It is not based upon the quality but on quantity. Majority party holds the reigns of government. Inefficient and corrupt persons get themselves elected. They have neither intelligence, nor vision, nor strength of character to steer through the ship of the state to its destinations. (ii) Rule of the incompetent: Democracies are run by incompetent persons. It is government by amateurs. In it, every citizen is allowed to take part, whereas everybody is not fit for it. Locke calls it the act of running administration by the ignorant. He says that history records the fact that a few are intelligent. Universal adult franchise grants right to vote to everybody. Thus, a few manipulators who can collect votes with the greatest success get democratic power. The result is that democracy run by the ignorant and incompetent becomes totally unfit for intellectual progress and search for scientific truths. (iii) Based on unnatural equality: The concept of equality is enshrined in democracy. It is against the law of nature. Nature has not endowed every individual with intelligence and wisdom. Mens talents differ. Some are courageous, other are cowards. Some healthy, others not so healthy. Some are intelligent, others are not. Critics are of opinion that it is against the law of nature to grant equal status to everybody. (iv) Voters do not take interest in election: Voters do not cast their vote in a spirit of duty as democracy requires them to do. Contestants of election persuade them. Even then, it is generally found that turn out comes to 50 to 60 percent only. This forefeits the very tall claim of holding elections. (v) Lowers the moral standard: The only aim of the candidates becomes to win election. They often employ under-hand practices , foul means to get elected. Character assassination is openly practised, unethical ways are generally adopted. Muscle power and money power work hand-in-hand to ensure success to him. Thus, morality is the first casualty in election. It is a big loss for when character is lost, everything is lost becomes explicit in due course. (vi) Democracy is a government of the rich: Modern democracy is, in fact, capitalistic. It is rule of the capitalists. Electioneering is carried out with money. The rich candidates purchase votes. Might of economic power rules over the whole process. The net result is that we get plutocracy under the garb of democracy-democracy in name and form, plutocracy in reality. It cares a fig for the common man. The rich hold the media and use it for their own benefit. Big business houses influence dailies and use these dailies for creating public opinion to their favour. Influence of moneyed people over politics is probably clear in England, America and India. Consequently, communists dont accept it democracy at all. According to them, Socialist democracy is democracy in the right sense of the term because the welfare of the labour class and farming community can be safeguarded properly only under socialist democracy. (vii) Misuse of public funds and time: Democracy is a huge waste of time and resources. It takes much time in the formulation of laws. A lot of money is spent during the elections. Ministers are proving white elephants. They are a heavy burden on public exchequer as they waste public money on their tours and recreations. (viii) No stable government: When no party gets absolute majority, coalition governments are formed. The coalition of political parties with a view of sharing power is only a marriage of convenience. Whenever there occurs clash of interests, the coalition is lost and governments crumble down. Thus, stable governments under democracy generally dont exist. France lost the World War II because there was no stable government in the country at that time. We, in India, have been experiencing the same thing for the present. (ix) Dictatorship of majority: Democracy is criticised because it establishes dictatorship of majority. The majority is required to safeguard the interests of minority but in actual practice it does not. Majority after gaining success at the polls forms its ministry and conducts the affairs of the state by its own sweet will. It ignores the minority altogether; the minority is oppressed. (x) Bad influence of political parties: Political parties are the basis of democracy. A political party aims at capturing power. Its members are to safeguard the interests of the party. Sometimes, they overlook the overall interest of the state for the sake of their party. They try to win election by hook or by crook. Practising the immoral methods, empty ideals, inciting hatred, spreading caste feelings, communalism has become a common practice. It lowers the national character.

Barkha Dutt free essay sample

Barkha Dutt BY 392 NDTV 247 is a premier English language television network that carries news and current affairs in India, it is owned by New Delhi Television Ltd. NDTV 247 won the Asian Television Award for Best News Channel in 2005. NDTV 247 is home to a team of award winning Journalists who spearhead the news campaign, including Dr. Prannoy Roy and Barkha Dutt. NDTV 247 is also available outside of India, broadcasting in the UK on the Sky Digital platform, in the U. S. on the DirecTV platform, in Canada on the ATN platform, in Australia on the Vision Asia platform, in Europe on the WorldTV platform, and in Singapore on the mio TV platform. We the People is a television talk show in India and running over NDTV. TV Journalist Barkha Dutt hosts this show. The program broadcasts every Sunday. [edit]About the show It is a discussion-based programme on burning issues. Seven to eight panelists are invited for every discussion. We will write a custom essay sample on Barkha Dutt or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It is an audience-based show. This Show airs in New Delhi Television network. The programme can generate controversy, but showcases a diversity of views thanks to its host. Barkha has been awarded as the most intelligent TV host by Indian Television Awards, and also as Best Talk Show Anchor. [1] We The People has recently won the 14th Asian Television Award for Best Talk Show for the year 2008. The show has received critical acclaim and has won several key awards {{{{{{{{{{{{{Barkha Dutt is a television Journalist. Her frontline reporting of the Kargil conflict in 1999 raised her to prominence in India. She has reported on many conflicts, ranging from Kashmir to Pakistan, Afghanistan and Iraq. Currently, she is Group Editor-English News, NDTV, a leading Indian television network, and the host of We the People, a weekly discussion show on current events. Barkha also writes a weekly column for The Hindustan Times and KhaleeJ Times. Some awards she has won: Global Leader of Tomorrow Award from the World Economic Forum, 2001 Commonwealth Broadcasters Award, 2002 Broadcast Journalist of the Year by the Indian Express, 2005 Padma Shri Award Oournalism), 2008}}}}}}}}}}}}}}}} with Barkha Dutt. .. india an english speaking country? Were all of us educated in elite schools and fashionable colleges? Do all of us have fancy,phirang accents that would put the real angrez to shame? ls Barkha Dutt the ultimate arbitrator of all things bright,beautiful and otherwise. lndeed this famous programme called We the people on NDTV 24*7 is certainly not for a common person. Certainly not for a person who has not read all the correct books and magazines. Barkha Dutt uses this opportunity(as always ) to emphasize Just how talented she is. How greatly ur wretched country needs her services as the super-judge of anything that she sets her eyes on. lndeed the program is supposed to be a free,open discussion between people whose voices are not otherwise heard. What it actually is,is a kind of drawing room discussion between celebrities. These celebrities pretend to become very humble and approachable. They are surrounded by some doctorates and super specialists who are sometimes allowed to make a few noises. What the show turns out to be in the end is a weekly meeting of th

Using Notepad for PHP

Using Notepad for PHP You dont need any fancy programs to work with the PHP programming language. PHP code is written in plain text. All Windows computers including those running Windows 10 come with a program called Notepad that creates and modifies plain-text documents. Saving PHP Documents In your text editor, just save the PHP source code with a PHP extension. Windows may or may not recognize PHP as a valid system file type, but it doesnt matter. You generally dont want Windows to attempt to execute a PHP script. You could, however, associate PHP as a file type that your favorite text editor manages, so double-clicking a PHP file will open it in that editor. Media Files Saved as PHP Some browser plugins that download media from web pages will incorrectly capture the media files correct extension. The file will save with the correct name, but with a PHP extension. This glitch occurs only occasionally and stems from the media file sourcing from a PHP-enabled page. All you need to do is change the PHP extension to something like MP4. Video-playback programs like VLC accept the MP4 extension without complaining, even if the underlying video type is something else. Writing PHP Unlike some programming and scripting languages, PHP is not sensitive to indentations. Therefore, any indentations you make to your PHP code to aid your readibility are fine. Other Programs to Edit PHP Files Notepad is simple, but its not the only choice. Mac users can use TextEdit. Hardcore programmers (usually, on Linux) rely on environments like Emacs or Vim. Better than using a text editor - which, by design, just edits text, without additional functionality - is to use a text editor optimized for coding. On the Windows platform, programs like Visual Studio Code, BB Edit, UltraEdit, and Notepad not only edit your text but can lint (analyze for errors) and format your code with special colors and related visual cues.

Can you make up a topic for me Essay Example | Topics and Well Written Essays - 500 words

Can you make up a topic for me - Essay Example times still carries out illicit affairs but they are done secretly and the wife may never be aware of what is happening and when a discovery is made, it completely shatters the marriage. In this type of marriage just like in a polygamous one, the woman is still the one to suffer and do it alone as she is expected to remain faithful. Engels does not see anything wrong with such an arrangement which I also disagree with as it is not only unreasonable but it disregards the woman’s sexuality as well downplaying it to no importance at all. The question heavy in my mind is whether monogamous marriages are really worth it if the men are still picking up the polygamous culture but doing it secretly (Engels 2004). I agree with the explanations Yuval-Davis provides about how women and their decision making ability even on their own reproduction is denied to them. They are made to listen to the policies being made and follow the directives given to them but not to complain. Women are not given a choice when it comes to their reproductive system as they are forced to have babies to continue the bloodline, fill a nation or even for social status. In cases where Malthusian theory is being practiced, the female children born or unborn are killed and only the male survive and this is decided by the man and not the woman. Women simply have no powers whether it is productive or reproductive roles and they are simply like automatons controlled by the men and made to do what the men want and this is absolutely unfair (Yuval-Davis 1997). I agree that the society has continually put pressure on women to agree with them about each and everything concerning their lives and have even moved to their reproductive life. Reproduction is the one thing that is and should remain private in a woman’s life and she should therefore hold all the reins when it comes to decisions about her reproductive health. She should be the one to make decisions about whether she wants a child or not and

Critically evaluate the policy network model Essay

Critically evaluate the policy network model - Essay Example In this case, we can expect too that solution can be best achieved through network of elucidation. NETWORK OF PROBLEMS: AN OVERVIEW OF POLICY NETWORK MODEL Introduction In our society today, there are many things in which we are trying to explain and identify why such things occurs. We also try to analyze situations or problems to come up with a solution that we thought to be a result of the observations. Well, this is the essence of being an analysts - This give us the right to be coined as analysts because we try to explain everything based on the content and what the other had perceived it to be and eventually lead us to create our own unique perception on that issue also with of course basis. In this part, we will be dealing on a policy model that is known to be one of the most influential models in these days in policy making. A policy network model by Rod Rhodes states that policy is prepared because of the interactions made between the pressure groups and the policy makers. .. . Policy Network Model As it were discussed and stated in the lecture presentation about policy analysis made by Dr. Adam White entitled ‘Theories of the Policy Process’, he identified there that a policy network model focus on policy subsystems. Primarily it focuses on subsystems because the actors involved may not be in line with the hierarchical structure. Leader’s prerogative on matters of laws or policies and other matters which involved the state (individual level of analysis) is not the only source of policies as well as state laws because there are multiple actors involved in here. The players in this model are the groups that make the state work as a whole which is consist of the departments and bureaucracies as well as interests groups in the states. We can label them as the trans-governmental or transnational actors coined in the complex interdependence theory. The policy outcome is indeed made because of the departments and bureaucracies’ intermed iations with each other together with the interest groups. These components are the main actors bounded by their beliefs and norms in the society in governance (Scharpf 1998, p.195). Furthermore, actors operate through interdependent relationships, with a view to achieve their personal goals by collaborating with each other (Bevir & Richards 2009, p.1). In a broader sense, what makes the policy are not because of the leaders’ ability alone to rule and create policy to make its country better but rather, it is a product of collective individual’s rational thinking ability shaped by their societal norms and its interactions to the government bureaus – their exchange of resources; and policy makers. â€Å"Policy network analysis stresses the importance of

What is a petition for writ of habeus corpus Essay

What is a petition for writ of habeus corpus - Essay Example The Supreme Court also declared that Georgia’s death penalty was not constitutional. The huge publicity to the case helped eminent lawyers like Amsterdam to fight the case of Furman, who was poor and most importantly, black. Amsterdam was able to show that the judgment was biased and heavily discriminated because the defendant was not only poor but also black. He argued that the jury did not have any guidance regarding the death sentence and the verdict was random mainly based on the discriminatory practices of the individuals. Amsterdam said that jury often just listens to the evidence of guilt and decides if the defendant deserves to die. The same cases often have the same conviction. Most of the sentences of death penalty are of those who are black, poor, mentally ill or uneducated. The wealthy, white or mentally healthy people rarely get death sentence (Steins, 1995). Judge, Douglas had also declared that death penalty had targeted the unpopular segment of society and therefore was unconstitutional under Eighth

SQL Injection and Buffer Overflow Attack Detection

SQL Injection and Buffer Overflow Attack Detection CHAPTER ONE INTRODUCTION This chapter discussed about research requirement for this research. It discussed briefly the research background in section 1.1, problem statement in 1.2, research objectives in 1.3, research questions in 1.4, scope of research in 1.5, research elements in 1.6 and research significant in 1.7 1.1 Research Background The internet which is a free, supportive and self-sustaining facility reachable to hundreds of millions of people worldwide, have become one of important communication’s medium today. The greatest widely used part of the Internet is the web or World Wide Web (WWW). The Web uses the Hypertext Transfer Protocol (HTTP) to convey data through the Internet as HTTP is a well-known language over the Internet. There is a Web Browser that acts as the main door to the Internet if user wants to view the web pages in different websites. Web pages is a document that may contain text, videos, sound, images or any multimedia components created in Hypertext Markup Language (HTML). In addition, to make the process of searching specific web pages easier, there is Uniform Resource Locator (URL) where it standardized naming convention for addressing documents available over the Internet or Intranet. As Internet become more and more significant, there are some individuals identified as hackers that have the ability to interrupt the peace of using Internet. For that reason, network security is required. Network security emphasis on securing networks from any violence or exploit especially from hackers and typically handles by network administrator on each organization that applies security policy. Thus, to ensure the three main goals of security which are integrity, availability and confidentiality is guarantee, network security become the main role to some kind of vulnerabilities in web application. Vulnerabilities can be referring as the flaws where attacker can take benefit by exploiting it to gain unauthorized access to their target. There are two of the most common web application vulnerabilities that exist in a web application are Structured Query Language (SQL) Injection and Buffer Overflow (BOF). SQL Injection is an attack in which the attacker inserts SQL commands into form or parameter values. It exploits the use of SQL query in the application. SQL Injection has become a predominant type of attacks that target web applications. The Open Web Application Security Project (OWASP) ranks it on top among the Top-10 security threats. Buffer Overflow is an exploit that can make the memory allocated to a certain application become massive. For example, an application expecting a five-digit postcode therefore the programmer only allocates enough memory for the perimeter. If an attacker enters more than five digits for example hundreds of digit, the application will end up using more memory than what it should. As of September 2010, 12 of the 20 most severe vulnerabilities ranked by US-CERT were Buffer Overflow related. There are a lot of web application vulnerabilities detection scanners existing in Internet. Either it free source or need to buy, there are more or less problems faced by these tools. The common problem meet by some of the scanner are false positive and false negatives. A false positive is when there is an error whereby a web application tested for is mistakenly found the vulnerabilities which actually there is none. Meanwhile, false negatives are the scanner does not found any vulnerability in a web application and telling user that the web is secure. However, actually the web application may have some vulnerability. Thus, by proposed a method for detecting the web vulnerabilities through searching for the suspicious and defined web vulnerabilities criteria, it will help the web application administrator to take a look and always standby in secure mode to avoid and secure mode for avoiding any attacks from the attacker. 1.2 Problem Statement Usually developers of a web application does not realize that their web application have vulnerabilities. They only realize it when there is an attack or manipulation of their code by someone. This is normal as in a web application, there are thousands of lines of code so, it is not easy to detect if there is some mistakes (Houghton, 2013). Nowadays lots of new hacker are born as the tools and tutorials are easier to get. According to Dougherty (2012), even though SQL Injection is very easy to protect against, there are still large numbers of the system on the internet are vulnerable to this type of attack because there will be a few subtle condition that can go undetected. Besides, in Buffer Overflow, although many methods have been proposed to address this problem, it mostly very high overhead involves considerable additional resources (Zheng, Zhou Liu, 2015). Therefore, a detection method for detecting the SQL Injection and Buffer Overflow while producing minimum false positive a nd false negative was proposed. 1.3 Research Objective There are two objectives that have been achieved in this dissertation: To construct a detection method that can detect SQL Injection and Buffer Overflow attack in web application based on acknowledged features and characteristics of the vulnerabilities. To evaluate the performance of proposed method in term of accuracy and efficiency by conducted two sets of experiments under laboratory testing environment. 1.4 Research Questions There are four research questions that have been addressed in this dissertation: Is it possible to employ a dynamic method for SQL Injection and Buffer Overflow detection in web application? What are the criteria used to detect SQL Injection and Buffer Overflow in the proposed detection method? What is the evaluation metrics used to measure the performance of the proposed detection method? How to measure the accuracy and efficiency of the proposed detection method? 1.5 Scope of Research This dissertation focused on the web application vulnerabilities which are more specific on SQL Injection and Buffer Overflow. This dissertation limited to: Detection of web application vulnerabilities which are limited on: SQL Injection Buffer Overflow A number of vulnerable website’s URL collected from: http://www.thetechnism.com/ http://pastebin.com/ For detection of web application vulnerabilities of SQL Injection and Buffer Overflow, the criteria used are: Get the URL of website Tokenize the URL Match the pattern with the matching criteria based on Boyer-Moore Algorithm Get the web application vulnerabilities The evaluation metrics that used in this dissertation are accuracy and efficiency 1.6Research SIGNIFICANCE There are two significances of this dissertation: This dissertation able to provide a method that can detect SQL Injection and Buffer Overflow attack based on Boyer-Moore String Matching Algorithm. This proposed detection method also able to generate the report regarding the level of vulnerability of the web application. The proposed method can assistance the web application developer or administrator to take any extra action to protected their application from being attacked by the unethical person outside the network to SQL Injection and Buffer Overflow attack.

Life of a Slave Girl Essay -- Papers

Life of a Slave Girl Harriet Jacobs constantly refers to friends that help her through her plight for freedom. Relying on the kindness of others seems to be a trend through out her life. Harriet was always helped out when she was a slave and when she escaped from slavery. When ever she got into trouble someone always came to her rescue. Everyone that came to her rescue was risking themselves when they would aid her. Be it a good old friend from the past, someone who knew her mother or a random stranger in the last expected place, there was always someone to save her. She thankfully accepted every bit of aid that came her way. Countless times Harriet speaks of getting help from someone whom she knew when she was little, be it an old friend or someone who is helping her because they knew her mother. People always wanted to help her, and this makes me wonder what she was like. Not once in her story does Harriet describe herself or do we get to know much about her other then how troubled she always is. Harriet was someone of a very strong moral character. Her second master Dr. Flint was relentless in his desires to have her as his lover yet she never gave in. In the situation of a slave this was very unusual. There was nothing to stop Dr. Flint from sticking Harriet in jail or whipping her until she couldn't stand anymore for no other reason then he felt like it. Yet she would not do anything she chose not to. She eventually ran away from him after spending years in his service and spent seven years hiding in an atic that summed up to be a large coffin then serve him and his family any more. She would rather torchure herself then submit to the Flints and do something she felt was wrong. At the age of six Harri... ... to smuggle Harriet north. After much time, he found way by a sympathetic caption of a ship to bring her north. He gave seven years trying to help her with information and a way to get north instead of helping himself. To simply save a friend. After Harriet arived in New York she met Mr. Bruce. His second wife was the greatest help to Harriet through out all of her years. Though she was white, she treated Harriet as an equal and always tryed to do the best for her. At one point Harriet had to flee from New York for fear of being cought and Mrs. Bruce tells her to bring her baby with her so that if she happened to be cought they would have to bring Harriet back to her and that there might be some way to help her then. Eventually Mrs. Bruce enables someone to purchase Harriet for three hundred dollars from Mr. Flint's daughter so that Harriet could be free.

Henry David Thoreau Essay

Transcendentalism is a very important movement that occurred not only in literature but in life as well. The transcendentalist movement was a movement that was basically the thought of everyone having an over-soul. The over-soul is the thought of a relationship between God, nature, and man. The movement had many different characteristics like individuality, feelings being priority over reason, the fact that nature was divine, and that nature held truths. Transcendentalists used the truths that they observed in the world and in nature to change the way society was and how people see themselves in the world. Although the idea of a utopia was not successful, the movement sparked a change in literature. Emerson and Thoreau are the two people most associated with transcendentalism. They both wrote essays about their experiences in nature and influenced many other writers to do the same (hence the transcendentalist movement). The transcendentalist thought is especially apparent in Walt Whitman and Emily Dickenson’s work. Whitman and Dickenson both show many traits of the movement, but the most apparent trait is individualism. Individualism is often portrayed in Emerson and Thoreau’s work as being equal. Everyone has a soul, inner truth is the only thing that matters, and fulfillment comes from knowing one’s self. In Emerson’s essay Nature, he describes man as being universal and related. In the quote â€Å" . . . that great nature in which we rest . . . that Unity, that Over-Soul, within which every man’s particular being is contained and made one with all other. . . . We live in succession, in division, in parts, in particles. Meantime within man is the soul of the whole; the wise silence; the universal beauty, to which every part and particle is equally related; the eternal ONE. † Emerson is saying that all men have souls and that each soul is a part of an even bigger soul, the universal soul. This is basically saying that we are all equal, but at the same time we are separated because we each have a soul of our own. In another essay, self-reliance, he stated â€Å"Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood†¦Ã¢â‚¬  In this, he is saying that being misunderstood is being great. This also says that being misunderstood is forgetting what society says you should be or act like and doing what you want to do in order to find yourself and be your own person. By not caring about what others may think about your choices and decisions, you can be your own person and set an example for others to do the same. Not only was Emerson talking about being an individual, he was also adding a bit about your feelings being more important that reason. Thoreau also writes about individualism in his essays. In Walden, Thoreau writes about the experiences and life of his life. He writes â€Å"†¦ if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet success unexpected in common hours. † This is saying that you should live the way that you want to live and that your inner truth or inner desires are all that matter. Everyone has inner truth and desires and to live the life that you want to live then you should go for the dreams that you have always wanted to come true. This is a prime example of individualism because everyone has dreams and inner truths about the way that they want to live and it is completely up to them to live the way that they want to live. He also addresses individualism in another essay titled Civil Disobedience. He writes â€Å"But, to speak practically and as a citizen, unlike those who call themselves no government men, I ask for, not at once no government, but at once a better government. Let every man make known what kind of government would command his respect, and that will be one step towards obtaining it†¦Ã¢â‚¬  In this, he is encouraging people to take a stand for the rights and respect they deserve. In a way, he is telling people to stop ignoring the unfair government and do something about the way you feel. This is showing again how everyone has inner truth and they should do something to change the way the world is to be better. Thoreau wanted the government to change and so he spoke about what he believed to be true. This is him showing his individualism and encouraging others to speak up as well about the truth that they believed. Like Emerson and Thoreau, Whitman and Dickenson have both used individualism in their works, but Whitman does a better job at portraying it. In Whitman’s poem ‘Song of Myself’, Whitman writes about everyone being equal and having equal opportunities. He states â€Å"I am of old and young, of the foolish as much as the wise, regardless of others, ever regardful of others, maternal as well as paternal, a child as well as a man, stuffed with the stuff that is course, and stuffed with the stuff that is fine †¦ † In this quote he is comparing total opposites to each other. This is a way of showing how even the opposites are the same. Regardless of others, ever regardful of others means that others mean nothing to you, yet others mean everything to you. It’s contradicting, but in a way that says although others mean nothing to you, they affect you in certain ways. Everyone affects you, but you are not everyone. You are simply yourself and that is what I get from what Whitman was describing. In another part of the poem, Whitman says ‘I am as bad as the worst, but thank God, I am as good as the best. ’ This quote stands out because it means no one is better than anyone. Just because you don’t get in trouble doesn’t mean you are any less wrong or less bad. Just because you do good things doesn’t mean you are any better! Being good is simply being good and the same goes for being bad. No one is any better or worst. This means that everyone is equal and has equal opportunities. Dickenson also uses individualism as a theme in some of her works as well. In the poem ‘Heaven Has Different Signs—To Me’, Dickenson writes â€Å"The Rapture of a finished Day—Returning to the West—All these—remind us of the place, That Men call â€Å"paradise†Ã¢â‚¬  In this poem Dickinson is describing what heaven would be like. This quote refers to the end of the day for men. Individualism is living the way you want and reaching fulfillment. This quote shows how men are fulfilled in their lives and of what they call paradise. To me, I don’t think she is writing about heaven, I think she is writing about a utopia. She is writing about a place that everyone is equal and enlightened. Dickinson and Whitman both write about being equal and living the life that you want to lead. Even though they both write about individualism, Whitman portrays it much more and it is more apparent. They were both influenced by the transcendentalist movement, but Dickinson focuses on other traits like how nature is beautiful and simple and the relationship that nature, life, and death have. The transcendentalist movement may be over, but it left an imprint in literature. Many people speak of individualism and the name most associated with it in the movement is Walt Whitman. Works Cited Poemhunters. com. N. p. , n. d. Web. 20 Feb. 2013. â€Å"Quotations by Author. † Walt Whitman Quotes. N. p. , n. d. Web. 20 Feb. 2013. Thoreau, Henry D. â€Å"Civil Disobedience by Henry David Thoreau. † Civil Disobedience by Henry David Thoreau. Jone Johnson Lewis, n. d. Web. 20 Feb. 2013. Thoreau, Henry D. Walden. N. p. : Jalic, 2003. Print. Whitman, Walt. â€Å"(1836)Nature. † Nature by Ralph Waldo Emerson. Oregon State College, n. d. Web. 20 Feb. 2013. Whitman, Walt. â€Å"Self Reliance. † Mrgunnar. net. N. p. , n. d. Web. 20 Feb. 2013.